Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Dec 1, 2009

A Way to Make You Smile

Here's some simple - but perhaps profound - words. Not mine.

I've found a way to make you,
I've found a way --
A way to make you smile

I read bad poetry
Into your machine.
I save your messages
Just to hear your voice.
You always listen carefully
To awkward rhymes.
You always say your name,
Like I wouldn't know it's you,
At your most beautiful.

Yes, this is from 'At My Most Beautiful', by the great R.E.M.
Give it a listen.

Actually I always thought it was describing a guy trying to get a reaction from his beloved, who was hooked up to medical machines, perhaps in a coma.
Reading the lyrics, I see it's not about that. It's just about leaving a message on someone's message machine.
But the simple sadness in the music is profound at any rate.



Nov 24, 2009

who'd have thought?

who'd have thought
    the man could teach me?

my soul-calming river-rushing moments came back to me,
and I relaxed, and let down my walls
to look beyond his smell and his shabbiness.

and then he began to sing. I coaxed myself to be calm,
to remain opened, to look beyond...
perhaps he's one of the hidden ones,
who challenge us to see greatness, if only we will look deeper,
look beyond...

he sang an ancient melody,
and it warmed my soul, as I sat there motionless,
listening, and keeping down my guard.

he sang and the holiness in what he flickered towards,
in what he aspired towards,
touched me and soothed my soul with comfort.

I wondered after he had gone -
and I barely knew what to wonder.


Nov 8, 2009

The Pain ("Killing Me Softly")

A poem about expressing what's truly inside, and how that process can be sparked by music. Inspired greatly by the song, "Killing Me Softly." For more info, see the footnoote.

And the pain
Speaks, in the space between;
where the buildings loom not, and the trees sit in the lonely silent emptiness;
where space flowers and spreads,
germinating in a cloud borne on swirling wind.

The pure pain
speaks out, vision spoken out on prophet's tongue,
played through, on fingers of the musical mathematicians,
sung out, sung out gently,
in throats of foggy-grouped singers.

The pain
Slips ballroom sideways,
in that agonizing quiet grace,
bare of the vulgar matted overgowns,
coats and wraps,
screens and veils:

The pain
tears at its onlookers's heart,
upon his eyes' fall to it, lying naked in its pooling blood,
ghastly face to be once beheld
and never forgotten:

The pain
becomes eye-flowingly beautiful
in its plain simplicity,
in the consequence of simple step after
simple step;

She dances
in simple grace;

The beautiful pain
Is too much to bear.
-----------------------

This is a song, inspired by a song, inspired by a song.
I was in someone's car today, and heard a cover of the beautiful song, "Killing Me Softly."
As Wikipedia tells it, Singer/songwriter Lori Lieberman saw Don McLean singing his composition "Empty Chairs" in concert. Afterwards, Lieberman wrote a poem titled "Killing Me Softly with His Blues", which became the basis for the song written by Norman Gimbel and Charles Fox.
I listened to Roberta Flack's (Grammy-winning) version of the song just now, and it really moved me in its simplicity; in its directly described pain and anguish. As I interpret it, the songwriter expresses the dumbfounding, bewildering, overpowering experience of having her emotions and deepest, most inner experiences suddenly laid bare by a stranger:
... And there he was, this young boy
A stranger to my eyes
Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song
Killing me softly with his song
Telling my whole life with his words
Killing me softly with his song...
She speaks of her intense discomfort at being laid emotionally bare: vulnerable and helpless, at the mercy of the "young boy" with the words that penetrated into her heart like a knife:
I felt all flushed with fever
Embarrassed by the crowd
I felt he found my letters
And read each one out loud
I prayed that he would finish
But he just kept right on

Strumming my pain with his fingers
Singing my life with his words
Killing me softly with his song

I really found there was a lot of pure, frank emotion expressed in this song. A lot of pain.
And that inspired me to write my poem above. Joining as a link in the chain of songs...

Don McLean ("Empty Chairs") -> Lori Lieberman ("Killing Me Softly With His Blues") -> Charles Fox & Norman Gimbel ("Killing Me Softly With His Song") [Performed by Roberta Flack] -> Me ("The Pain")

To really get my poem, I recommend you read it while you have "Killing Me Softly With His Song" play in the background. That's what I did as I wrote it.

Oct 26, 2009

suddenly I'm overcome

and suddenly it fills me,
thrills me,
bleeds my heart open, all revealed of a sudden;
tears spring to escape, push to dive
out of the corners of my eyes:
suddenly I'm overcome.

and now I have
images in my mind,
sounds ringing, ringing in my ears.
I've got the sweet saddest guitar of years ago
coming at me, in to my heart;
suddenly I'm overcome.

now I just want to cry,
throat burns, as it all bursts forth.
cry? why? I
don't know; don't know the tune
of the song singing in my soul, the melody that bursts, now,
bursts out, aching to be set free:
suddenly I'm overcome.

and now I ask myself,
as the crowding of the crusty outside noise
comes sliding back like mud,
over bare exposed cracks of
soul,
what I'm going to do,
what to do
with this song in my soul,
with these words, this tune, this pain;
I ask myself, but - stop thinking! - here come tears:
suddenly I'm overcome.

I don't know!
I don't know what it is, that's got my heart aching, bursting,
got my eyes streaming,
so full, so full of
... something...

suddenly,
I'm overcome.

---
Just a small note: this really happened. Helped to have some amazingly emotive and heart-tugging old folk music playing.